Darwin’s On the Origin of Species was a ground breaking book in many respects. Certainly what he was proposing was new. The implications for the future were enormous, particularly regarding genetic modification and the ethical issues we currently face in that arena. How he proposed it all though was firmly anchored in the harbour of Baconian science in terms of his language and methodology. He relies explicitly on inductive reasoning as Bacon proposes science should. His use of language and reason have an overtly anthropocentric bias as well.
Darwin uses anthropocentric language throughout the book. A typical example can be found in the chapter entitled The Struggle for Existence. The chapter title sets the tone. While he explicitly acknowledges that he is using the chapter title “…in a large and metaphorical sense…” (P 165) he does rely on this, and similar, metaphor throughout. I somehow doubt that plants are actually struggling to reach the sun. They simply grow to reach the sun successfully or they do not and die as a result. He doesn’t go as far as ascribing a will to plants at least!
The metaphor of struggle though ties the conception of evolution to ‘man’s’ goals. If a plant struggles, then only the fit plants survive, as is the case with nations: a model of social advance if you will. There is an unspoken dark side with ethical implications to all of this. If our society has overcome many obstacles to living and has significantly lessened peoples’ struggle then how does natural selection continue its project? Perhaps by developing advanced medicine we are allowing the notion of helping the ‘unfit’ to live, which could be seen as going against ‘human nature.’ How many genocidal fantasies could this view fuel?
What is humankind’s role in evolution? Is there one at all? Is nature a machine that just runs on its own? Is there a role for God in all of this? Darwin regularly refers to the evolutionary process as attempting to achieve ‘perfection.’ In relation to what? Similarly he often associates beauty with natural complexity. Perhaps unwittingly there’s an aesthetic aspect to Darwin’s science. This science is presented as the ultimate story in opposition to previous creation mythologies. The mythology of science then, as the ultimate arbiter or revealer of truth. This could be an interesting avenue to explore. Darwin, like Bacon, present their science as dispassionate by nature. Perhaps we can see this dispassionate science as leading us to potential disaster and possible annihilation by being guided by a simply mechanistic model of the universe. Maybe the small aesthetic inklings in Darwin’s language constitute an unwitting recognition of the problem with a dispassionate science.
Maybe an ‘aesthetics of science’ needs to be developed (I’ll do a search to see if this has been pursued by anyone: if anyone knows of any references regarding this please drop a comment!)! An aesthetics (or erotics?- let’s embody science!) of science would allow a non-instrumental view of science. Currently science and all of its associated technological development has an overtly instrumental bias. This narrow view may be at the root of some of the problems of the mechanistic, Baconian science that is Darwin’s pedigree.